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RS-422 SERIAL REMOTE
CB Electronics
NHK order 8 TFT-422 Remote's and RM-6 ...

We designed the TFT-422 remote at the same time as we designed the DFC-422 Remote. The DFC remote is designed to fit in the AMS Neve DFC console. A number of DFC-422 remotes were built for Twickenham Studios , Goldcrest and others. A prototype of the TFT-422 was made and photographed but none were sold at the time. . The advantage of the TFT-422 over the UR-422 or SR-422 are that the 3.5” TFT Display that allows for the status of multiple machines to be displayed and that the 7 LCD macro keys may be reprogrammed without the need to update a paper label.

NHK order 8 TFT-422 Remote's and RM-6 synchroniser’s
Studio Monitoring, Room Equalisation
colinbroad
Adding Trinnov ST-2 room equalisation to ...

I was recently asked the best way to add a Trinnov ST-2 to a TMC-1 system. The TMC-1-Penta can be configured to have inserts in the output path which is ideal for for this application.

Adding Trinnov ST-2 room equalisation to TMC-1-Penta system
Studio Monitoring
colinbroad
A-Mon Headphone Monitoring

I received an e-mail this morning from Paula Fairfield (Sound Designer on Game of Thrones) asking about headphone monitoring on her PD-3-AMon bundle. Paula is now now working in VR and headphone monitoring a big deal!

A-Mon Headphone Monitoring
Studio Monitoring
colinbroad
DADman, Mom, Eucon and TMC-1-Penta

I am often asked questions about the differences between these different controllers all of which can control the Avid MTRX, DAD AX32 or the NTP Penta. Can they can work together and what are their requirements?

DADman, Mom, Eucon and TMC-1-Penta
colinbroad
TMC-1 and Marti Humphrey's immersive audio setup

Marti Humphrey's excellent presentation of his innovative immersive audio setup.

TMC-1 and Marti Humphrey's immersive audio setup

Room Equalisation

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TMC-1-MMP1 Follow Up at Eclair in Paris

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TMC-1-MMP1 Follow Up at Eclair in Paris

Last week I visited Olivier Chouteau at Eclair in Paris, Olivier installed the first TMC-1-MMP1 system in a 7.1.4 studio. Daniel Gollety who makes the french translation of our manuals accompanied me on the visit - my French is not to good. Although configured as a 7.1.4 room one of the main reasons for using the TMC-1 is the ease in switching between Stereo, 5.1, 7.1 and 7.1.4.

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TMC-1 and Yamaha MMP1

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TMC-1 and Yamaha MMP1

This week I have been interfacing the TMC-1 with the Yamaha MMP1. We have been waiting for a MMP1 since it was announced last year, a loan unit finally arrived last week . Before starting we had to buy a I-Pad (we are Android users and our OSC software runs on both), this arrived two days ago since then I have been writing code.