I have been asked several times how to calibrate the speakers using the TMC-1, you can find the answer buried in the reference manual or read this quick post.
There are two ways of calibrating the inputs and speaker outputs
Room Equalisation, Studio Monitoring
When we designed the TMC-1-Penta the SPQ card did not exist, the SPQ card adds a lot of functionality to the NTP system, we want to incorporate this with the TMC. The SPQ is like any other card within the NTP rack unit and the SPQ channels are defined by the card slot and Channel number which can be assigned to any speaker channel using the TMC insert points.
Studio Monitoring
The TMC-1 has been available for three years now, following suggestions from some users we have added the TMC-2. The TMC-2 has 13 more keys than the TMC-1 but it is only 20mm wider.
Studio Monitoring
I have been asked several times how to calibrate the speakers using the TMC-1, you can find the answer buried in the reference manual or read this quick post.
There are two ways of calibrating the inputs and speaker outputs
RS-422 SERIAL REMOTE
We designed the TFT-422 remote at the same time as we designed the DFC-422 Remote. The DFC remote is designed to fit in the AMS Neve DFC console. A number of DFC-422 remotes were built for Twickenham Studios , Goldcrest and others. A prototype of the TFT-422 was made and photographed but none were sold at the time. . The advantage of the TFT-422 over the UR-422 or SR-422 are that the 3.5” TFT Display that allows for the status of multiple machines to be displayed and that the 7 LCD macro keys may be reprogrammed without the need to update a paper label.
