Full Product Range
Studio Monitoring Solutions
A-MON ANALOGUE MONITOR CONTROLLER FOR ATMOS (XPAND NEEDED), 7.1, 5.1 AND STEREO OR XMON REPLACEMENT
A-Mon Stereo / 5.1 / 7.1 analogue monitor controller for use with the TMC-1 remote for full functionality or as a X-Mon replacement (Limited to X-Mon functionality)
Using feedback from existing TMC-1 customers the A-Mon is a full studio monitor system that incorporates some unique features including rear-side surround switching for 5.1.
I-MON 34 I/P, 27 O/P ANALOGUE MONITOR CONTROLLER FOR ATMOS/AURO, 7.1, 5.1 AND STEREO
Based on the A-Mon the I-Mon analogue monitor control unit is housed in a 1U rack mount box. Designed for any format from stereo to 12 or 14 channel immersive audio. This versatile unit is designed to provide a cost effective solution to installing immersive monitoring in smaller studios. The I-mon may be configured with either 12 or 14 channel Main input and Main output and with either 1 or 2 talkback and listen mic inputs.
XPAND - ATMOS / AURO EXPANSION FOR AVID XMON AND CB A-MON
XPand designed to allow smaller studios to implement Atmos or Auro without major changes to their existing monitor system. XPand can be controlled from the TMC-1 or from the Icon monitor control when used with a Mac/Windows App.
XPand provides up to 8 extra channels to the main input and output path of the XMon or A-Mon. Where only 4 channels are required the XPand can be used to switch the rear surround to side when changing from Atmos / 7.1 to 5.1, and add bass extension for the surround.
PD-1NET - FILM STYLE MONITOR PANEL
The PD-1 is a new concept in DAW monitoring based on the film mixing concept of the ”PEC/Direct” panel that allows you to mix with separate Dialog, Music and Effects Stems (sub-mixes). You can monitor any combination whilst preserving the ability to ‘Solo in Place’ any source track. The solo, mute and source/playback switching are implemented within the DAW. The audio is mixed within the workstation to generate the individual monitor feeds (LCRS...). This reduces both cost and complexity by eliminating external connections and hardware.
PD-3 - FILM MONITOR REMOTE
The complete film monitoring solution, a PD-2 in combination with the TMC-1. The PD-2 is a new Dolby Atmos compatible version of the PD-1 “In the Box” Pec/Direct. The TMC-1 multi-format monitor controller for Avid XMon, NTP Penta, DAD AX32, Trinnov D-Mon or CB A-Mon.
TMC-1 Monitor Controller
One Monitor Controller Remote, 8 Systems, the large console monitor system without large console
In an industry that is moving towards working and mixing 'in the box', there are still situations where hands-on control is best; the TMC-1 offers unprecedented features and control that belie its small size;
We had five main objectives when we started to design the TMC-1 remote
Make the best possible monitor control interface, suitable for Stereo, 5.1 and 7.1, Immersive/Atmos.
Provide a unified user interface for all systems, large and small.
Include Talkback, Listen back, and cue sends.
Include automation features for ADR and ISDN / Source Connect.
Simple, flexible setup.
We believe we have achieved the best connection for each of the devices we control, ranging from the XMon to the DAD AX32 / MTRX.
RS-422 SERIAL REMOTE CONTROLS
RM-6 - RACK MOUNT SYNCHRONIZER
The RM-6 Controller/Synchronisers are designed to control and synchronise multiple machines simultaneously. The RM-6 will recognize most Sony protocol machines and automatically configure themselves for the connected machines. Either the SR’s synchroniser or the built-in chase features of modern machines can be used for device synchronisation.
SR-4 - DESKTOP SERIAL REMOTES/SYNCHRONISERS
The SR Series remote controls have been designed as stand alone controllers or used to expand the single serial output of a Console or Digital Audio Work-station, the SR serial remotes make cost effective ergonomic solutions.
The master machine or virtual machine(Generator) is controlled by the serial input, the chase function expands this to up to four machines.
TC-5 - GENERATOR, READER, CONVERTER LTC-MIDI-USB, GPIO, REAL TIME CLOCK
The TC-5 is a professional MTC/LTC interface with LED display, Video Sync, Word Clock input and USB port. The TC-5 is designed to be equally at home in Audio, Video and Lighting Environments, applications include Digital Audio Workstations, Non Linear Video Editors, Mixing Consoles, Show Control and Lighting Control.
TC-6 GENERATOR READER CONVERTER DISTRIBUTOR LTC-MIDI-USB
The TC-6 adds timecode distribution and Status display to the TC-5. The TC-6 is a professional MTC/LTC interface with LED display, Video Sync, Word Clock input and USB port. The TC-6 is designed to be equally at home in Audio, Video and Lighting Environments, applications include Digital Audio Workstations, Non Linear Video Editors, Mixing Consoles, Show Control and Lighting Control.
USB-422 - DUAL RS-422 USB INTERFACE, AVID APPROVED, FOR DAW'S INCLUDING AVID, PYRAMIX
CB Electronics have for a number of years used USB-RS232 interfaces both with and without RS232-RS422 converters. In designing the USB422 we used the experience with many different manufactures to choose the best combination of hardware and drivers.
UR422-USB AND SR422-USB - UNIVERSAL RS422/USB REMOTE
UR422-USB remote is designed as a small footprint low profile versatile remote control and incorporates the custom upgrades that were made to the original UR-422. The keyboard is user definable and may be configured to suit specific applications. The USB port provides the power and direct connection to a DAW or Video Workstation to provide track arming and a Jog/shuttle machine control interface. The machine control and track arming can be routed to separate ports allowing control of video playback whist recording on an separate audio recorder
P2MMC-USB - EXTERNAL CONTROL OF DAW
Based on our P2MMC but using USB Midi. the P2MMC-2 may be used in a number of different configurations allowing DAW’s with Midi In/Out to be resolved to Video Syncs and be controlled by or control RS422 devices.
The P2MMC-2 is ideal to connect MIDI systems (Protools LE, Nuendo, Sequoia, Ardour, Logic Pro, Cubase,Cakewalk) with timecode and video locked RS422 devices. The P2MMC-2 may also be used as a USB timecode interface providing GP Outputs against timecode or logging events against timecode. We have also developed an EDL Recorder using the P2MMC-2 to record live edit decisions to increase efficiency in post production.
ROMUPD - NO MORE EPROMS! ROMUPD FOR SR-4 AND RM-6
The SR-4 and RM-6 are both fully supported current products, at one point. We were designing replacements but realised that then we would have to support both old and new. We decided to concentrate on supporting the current SR-4 and RM-6. For example, they are both now supplied with bi-level and tri-level video sync inputs. The upgrade kit for this is available so that even the oldest of units can be modified.